Ticket Information:

  • Admission: Free

Dates:

  • Sat 19 Oct 2024, 10:00am–4:00pm
  • Tue 22 Oct 2024, 10:00am–4:00pm
  • Wed 23 Oct 2024, 10:00am–4:00pm
  • Thu 24 Oct 2024, 10:00am–4:00pm
  • Fri 25 Oct 2024, 10:00am–4:00pm
  • Sat 26 Oct 2024, 10:00am–4:00pm
  • Tue 29 Oct 2024, 10:00am–4:00pm
  • Wed 30 Oct 2024, 10:00am–4:00pm
  • Thu 31 Oct 2024, 10:00am–4:00pm
  • Fri 1 Nov 2024, 10:00am–4:00pm
  • Sat 2 Nov 2024, 10:00am–4:00pm
  • Tue 5 Nov 2024, 10:00am–4:00pm
  • Wed 6 Nov 2024, 10:00am–4:00pm
  • Thu 7 Nov 2024, 10:00am–4:00pm
  • Fri 8 Nov 2024, 10:00am–4:00pm
  • Sat 9 Nov 2024, 10:00am–4:00pm
  • Tue 12 Nov 2024, 10:00am–4:00pm
  • Wed 13 Nov 2024, 10:00am–4:00pm
  • Thu 14 Nov 2024, 10:00am–4:00pm
  • Fri 15 Nov 2024, 10:00am–4:00pm
  • Sat 16 Nov 2024, 10:00am–4:00pm
  • Tue 19 Nov 2024, 10:00am–4:00pm
  • Wed 20 Nov 2024, 10:00am–4:00pm
  • Thu 21 Nov 2024, 10:00am–4:00pm
  • Fri 22 Nov 2024, 10:00am–4:00pm
  • Sat 23 Nov 2024, 10:00am–4:00pm
  • Tue 26 Nov 2024, 10:00am–4:00pm
  • Wed 27 Nov 2024, 10:00am–4:00pm
  • Thu 28 Nov 2024, 10:00am–4:00pm
  • Fri 29 Nov 2024, 10:00am–4:00pm
  • Sat 30 Nov 2024, 10:00am–4:00pm
  • Tue 3 Dec 2024, 10:00am–4:00pm
  • Wed 4 Dec 2024, 10:00am–4:00pm
  • Thu 5 Dec 2024, 10:00am–4:00pm
  • Fri 6 Dec 2024, 10:00am–4:00pm
  • Sat 7 Dec 2024, 10:00am–4:00pm
  • Tue 10 Dec 2024, 10:00am–4:00pm
  • Wed 11 Dec 2024, 10:00am–4:00pm
  • Thu 12 Dec 2024, 10:00am–4:00pm
  • Fri 13 Dec 2024, 10:00am–4:00pm
  • Sat 14 Dec 2024, 10:00am–4:00pm
  • Tue 17 Dec 2024, 10:00am–4:00pm
  • Wed 18 Dec 2024, 10:00am–4:00pm
  • Thu 19 Dec 2024, 10:00am–4:00pm
  • Fri 20 Dec 2024, 10:00am–4:00pm
  • Sat 21 Dec 2024, 10:00am–4:00pm
  • Tue 24 Dec 2024, 10:00am–4:00pm
  • Fri 27 Dec 2024, 10:00am–4:00pm
  • Sat 28 Dec 2024, 10:00am–4:00pm
  • Fri 3 Jan 2025, 10:00am–4:00pm
  • Sat 4 Jan 2025, 10:00am–4:00pm
  • Tue 7 Jan 2025, 10:00am–4:00pm
  • Wed 8 Jan 2025, 10:00am–4:00pm
  • Thu 9 Jan 2025, 10:00am–4:00pm
  • Fri 10 Jan 2025, 10:00am–4:00pm
  • Sat 11 Jan 2025, 10:00am–4:00pm
  • Tue 14 Jan 2025, 10:00am–4:00pm
  • Wed 15 Jan 2025, 10:00am–4:00pm
  • Thu 16 Jan 2025, 10:00am–4:00pm
  • Fri 17 Jan 2025, 10:00am–4:00pm
  • Sat 18 Jan 2025, 10:00am–4:00pm
  • Tue 21 Jan 2025, 10:00am–4:00pm
  • Wed 22 Jan 2025, 10:00am–4:00pm
  • Thu 23 Jan 2025, 10:00am–4:00pm
  • Fri 24 Jan 2025, 10:00am–4:00pm
  • Sat 25 Jan 2025, 10:00am–4:00pm
  • Tue 28 Jan 2025, 10:00am–4:00pm
  • Wed 29 Jan 2025, 10:00am–4:00pm
  • Thu 30 Jan 2025, 10:00am–4:00pm
  • Fri 31 Jan 2025, 10:00am–4:00pm
  • Sat 1 Feb 2025, 10:00am–4:00pm

Restrictions:

All Ages

Offering reflects Cindy Huang’s research into the Tauiwi Chinese New Zealand community in Te Matau-a-Māui, both past and present, with a focus on the region's market gardens, gardeners, and grocers. Due to a notable absence of recorded accounts in local and national museums and repositories, she has primarily relied on oral histories from within the community to piece together a picture of their lives, contributions, and labours. Her installation explores the ephemeral nature of this knowledge, highlighting both presence and absence.

The installation features handcrafted incense made from sandalwood blended with dried fruit powder, along with bronze casts of citrus peels and apple cores that serve as incense holders. All of these elements are produced from fruit sourced from Onekawa Fruit Shop, a local Chinese New Zealand family business. They are carefully arranged, evoking the forms associated with ancestral shrines—a reflection of the traditional Chinese custom of filial piety, which encompasses acts of remembrance and respect for both the living and the deceased. Typically accompanied with offerings of fresh fruit, the ritual of burning incense creates a sanctified and cleansed space that bridges the past with the present, allowing one to connect with their ancestors and memories.

While the artist doesn’t consider her work as a shrine in itself, she nevertheless sees it both as an act of tribute and a tableau vivant, a living still life, gesturing towards some specific accounts of hardship and stories which remain guarded within communities. Huang considers Offering as an elegy to those who are remembered, alongside those who have been forgotten over time.

Cindy Huang (born in Rotorua in 1997) currently lives and works in Tāmaki Makaurau Auckland. In 2023-24 she was based in Heretaunga Hastings. She holds a Master of Heritage Conservation in Museums and Cultural Heritage (2022), and a Bachelor of Fine Arts (Honours) (2019), from the University of Auckland. Her work has been exhibited across Aotearoa in recent years, with recent solo and collaborative projects presented at Sumer, Te Atamira, Satellites, Chez Derriere, Studio One Toi Tū, and Meanwhile.

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